Browse Primary Sources
Locate primary sources, including images, objects, media, and texts. Annotations by scholars contextualize sources.
Buffalo on Wheels Toy
This object made from terracotta was most likely a child's pull toy. Approximately 11 centimeters high and 16.5 centimeters long (4.3 x 6.5 inches), it features functional wheels and a hole at the mouth for a string. The buffalo shows traces of stripes in red paint, and has markings that represent its curly forelock. The object is dated to the Archaic Age (ca.
Emile
French philosopher Jean-Jacques Rousseau wrote the philosophical treatise Emile, or On Education in 1762. In it, he imagines a situation in which a young tutor devotes 20 years to raising a single child. In the process, Rousseau lays out many of his fundamental beliefs about the nature of humans and their relationship to society.
The Days of 31 May and 1-2 June 1793
Even though popular action had unseated the Legislative Assembly and replaced it with the Convention, the elections that followed had not satisfied the radicals of Paris and their artisanal followers. From 31 May to 2 June 1793, these Parisians demonstrated outside the Convention and through intimidation forced the politicians inside to give up the Girondins who were being vilified.
Linen Towel with Indigo Woven Border
Italian noblewomen presented soft, absorbent, linen towels with indigo woven borders to birthing mothers during the 14th century and later. The cultural context of the towels is illustrated in Italian paintings of the period depicting childbirth customs such as presentation and use of the towels.
Native American Children and Toys
Theodore de Bry included this colorful engraving in his publication of Hariot's, A Briefe and True Report of the New Found Land of Virginia (1590). It was based on a watercolor by John White (fig. 2) painted five or six years earlier.
Terakoya vs. Meiji School
Contrary to impression left by document #2, schools for commoners were plentiful prior to the Meiji Restoration in 1868. These schools are usually known by the term terakoya, which literally means "temple school." The first image is of one such terakoya, depicted here in an 18th-century woodblock print.
Mencius and his Mother: A Lesson Drawn from Weaving
This illustration depicts a scene from the Traditions of Exemplary Women (Lienü zhuan) of Liu Xiang (ca. 77-6 BCE), one of China's first didactic texts on feminine morality. The text to this story is provided below the illustration. The story recounts the upbringing of Mencius (ca. 371-289 BCE), one of the greatest Confucian philosophers of early China.
The Boy Prodigy: Xiang Tuo
These two images from the Later Han dynasty (2nd century CE) depict the most famous child in early Chinese literature, Xiang Tuo (pronounced She-Ang Too-o). In both stone carvings, which decorated the outer walls of shrines or funerary monuments, the artists indicated Xiang Tuo's tender age by his relatively smaller size with toys in his hands.
Earthenware Mold of a Swaddled Child
The earthenware mold for casting a figurine of an infant was found in Tangyangu China, and is likely dated to between 960 and 1279 CE, during the Song dynasty. The mold measures 3.2 inches long, and belongs to a collection of molds depicting men, women, and animals.
Life Histories (Chile) Table
Women all over the world may undergo life-course transitions from daugtherhood to motherhood, a great similarity that shapes their lives due to what is perhaps the biological difference that most distinguishes women from men: their childbearing capacity. The circumstances under which women experience transitions, however, vary greatly.
Ayyubid and Ottoman Architecture
In the Islamic world, women were able to own and control their own property at a time when Christian women in Europe were unable to do so. Many wealthy women endowed public buildings as a mark of their piety. In these examples, we see the way that Ayyubid and Ottoman women used the endowment of public architecture to engage directly in public life.
Massacre of the Prisoners
Yet another image from the newspaper R*volutions de Paris shows crowds massacring refractory clergy and prisoners. These panels reveal similar occurrences at the police prisons of the Chatelet and the Bic*tre, where altogether an estimated 800 were killed in the first week of September.
Massacre of the Priests
This image, also reproduced from the newspaper R*volutions de Paris, shows crowds massacring refractory clergy and prisoners. The panels depict the former convent of the Carmelites (where 163 were killed) and the prison known as the Force, which had formerly been used to incarcerate prostitutes, where approximately 300 defrocked clergy were executed.
Massacre of the Prisoners of St. Germain Abbey
In one of the most widely reported incidents of the September massacres, a "jury" of twelve "commissioners" was formed spontaneously in the Saint–Germain Abbey to judge the refractory clergy held there as prisoners.
Foundation of the Republic, August 10, 1792
One of the sharper engagements of 10 August between the revolutionaries and the royal defenders occurred on the palace’s steps. The caption emphasizes the revolutionaries’ point of view.
Siege of the Tuileries
This hand–tinted engraving depicts the storming of the Tuileries Palace by what appear to be small groups of well–organized soldiers of the Marseilles National Guard. The positive image of the sans–culottes is reinforced by commentaries that attribute their action to the "despotism" of Louis XVI and the "treason" of his agents against France.
Rock Art, Khoisan
Rock art, found on the walls of caves and on moveable rocks, was once thought to depict simple images of the daily lives of the Khoisan. In the last 20 years, study of oral traditions and close attention to what is actually depicted in the paintings has led to a complete revision of this theory.
Claude Antoine Rozet Paintings
One of the first tasks undertaken by the French military after the 1830 invasion was to visually depict, and thus classify, places, things, and people so as to rule more effectively. This is a pattern seen in all modern colonial regimes worldwide. To this end, in addition to cannons, rifles, and supplies, the French expedition also included a cohort of skilled artists and draftsmen.
Dona Marina in Florentine Codex
This image was created by an indigenous painter in central Mexico and accompanies a written description of the conquest of Tenochtitlan, penned in both Spanish and Nahuatl in the Florentine Codex. The Florentine Codex is one of the fullest Nahuatl descriptions of the conquest. The scene shows Malintzin in the act of translating. She sits upon a palace roof with Cortés.
Cortés Greets Xicotencatl in Mexican Manuscript
A detail from a larger manuscript page in the Lienzo de Tlaxcala, this scene was created by an indigenous painter in central Mexico. Scenes from the Lienzo de Tlaxcala, now just fragments from a larger set of images, draw upon preconquest painting techniques and conventions.