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Lady Mary Wortley Montagu
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Letters of Lady Mary Wortley Montagu

The following are excerpts from the letters of Lady Mary Wortley Montagu (1689-1762), a noted English essayist and one of the earliest advocates of women’s rights.

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The Whole Duty of Woman

The following selection comes from a late 17th-century English advice book for women.

Swaddled Children Terra Cotta Bas-Reliefs thumbnail image
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Swaddled Children Terra Cotta Bas-Reliefs

These images of swaddled infants come from a series of 10 glazed terra cotta bas-reliefs known as the "bambini." Andrea della Robbia sculpted them between 1463 and 1466 to adorn the Ospedale degli Innocenti, or Foundling Hospital, in Florence, Italy.

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Paleolithic Finger Flutings Cave Drawing

This image from Chamber A1 of Rouffignac Cave was created by a young girl we posit to be between four and five years old from her height and the places in the cave where she has chosen to make her flutings.

Facial Recognition Manual
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Facial Recognition Manual

If they wanted to keep out spies, security personnel on both sides of the Berlin Wall had to become sophisticated readers of facial features.

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Berlin Wall Trabant

This painting by Birgit Kinder is on a segment of the Berlin Wall that was on the east bank of the Spree River that separated portions of East and West Berlin.

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Patience Monsignor Your Turn Will Come

Cartoons attacked the refractory clergy. Here, fat, overfed, and underworked clergy are squeezed down to an appropriate size. As elsewhere, visual images mocked the clergy by depicting them as subject to the threats and physical attacks of others.

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Refractory (Clergy) Going to the Promised Land

Many refractory clergy left France to join other detractors, as this print shows, or wishfully encourages. However, this is an ambiguous image, which leaves open the possibility that rather than joining foreign monarchies, the clergy are crossing the river leading to Hell.

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Procession of Refractory Clergy

Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last procession.

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The Roman Aristocrat

The fattened clergyman and the well–bedecked nobleman go off unbothered while the figure in the foreground assesses carefully the value of a commoner. This complex image also includes a pig—likely a symbol for Louis XVI—with the cleric and the noble.