Early Modern (1450 CE - 1800 CE)

Cahiers from Rural Districts: Attack on Seigneurial Dues
The petitions from rural communities decried the abuse of seigneurial dues that peasants owed to lords in exchange for which they were supposed to receive protection and supervision.

Three Cahiers from Orléans
The cahiers de doléances ("list of grievances") drawn up by each assembly in choosing deputies to the Estates–General are the best available source of the thoughts of the French population on the eve of the French Revolution.

Cahiers—A Parish Cahier
The cahiers de doléances ["lists of grievances"] drawn up by each assembly in choosing deputies to the Estates–General are the best available source of the thoughts of the French population on the eve of the Revolution.

The Crushed Aristocracy
This image uses the classical figures of an angel and a cherub to celebrate the achievements of Louis XVI on the base of a statue. The words state that he has destroyed the "aristocracy" and established the liberty of the French people.

Project Wittenberg
It contains the largest online collection of Luther’s writings in English, including more than 100 hymns, as well as writings about Luther by many of his contemporaries and later Lutheran scholars.
The Welcoming of a Marquis in Hell
Reflecting French Revolutionary sentiments, the image points out the destruction of the nobility, depicting the arrival in Hell of a "marquis" and several other "aristocrats," described in the legend as "conspirators" and "traitors."

Abolition of Nobility
The major principle underlying the 4 August decree found legislative expression in the decree of 19 June 1790.

We Must Hope That It Will Soon Be Over
A common complaint of pre-revolutionary rural petitions was the abuse of seigneurial dues owed by French peasants to lords supposedly in exchange for protection and supervision.

Oath of the New Horaces
Social discrimination against old regime elites continued in this parody of a famous painting prior to the French Revolution, The Oath of the Horatii, by Jacques–Louis David which focused on the courage of three brothers who thrust their arms bravely forward to signal their willingness t

I Was Sure We Would Have Our Turn
Class solidarity was never universal, as this print celebrates the victory of the peasantry over the nobility and clergy.