Imperial/ Colonial
That Seductive Mulatto Woman
Moreau de Saint–Méry painted a particularly negative portrait of mulatto women in Haiti. He paints Creole women as unduly promiscuous and a threat to morals and decency.
Canadian Women's History
There is also a great deal of material on the foundation of female education and on the women’s suffrage movement.
Emory Women Writers Resource Project
The subjects covered are diverse and include commentaries on such topics as nature, native-white relations, emancipation, imperialism, social and sexual mores, wet nursing, Christianity, and women’s suffrage.
Komori [Nursemaid] Songs (kazoe-uta)
During the modern Imperial period (1868-1945), daughters of poor Japanese families worked as komori taking care of their own siblings or working as indentured servants for other poor families.
Imperialism in North Africa: Personal Account, A Visit to Tunisian Harem
The harem (or harim) has exercised a powerful fascination over the Western imagination for centuries.
Imperialism in North Africa: Autobiography, Leila Abouzeid
In Morocco, after 1912, the colonial regime eschewed, for the most part, introducing overt changes into Islamic personal status law.
Imperialism in North Africa: Personal Account, Captain Carette
To the east of Algiers is a rugged mountainous region, the Kabylia, whose loftiest peak is named after a holy woman, Lalla Khadija.
Dona Marina, Cortes’ Translator: Poem, La Malinche
A well-known Chicana poem about Malinche. Tafolla took inspiration from the famous 1967 poem of the Chicano movement, “Yo Soy Joaquín,” but rewrites from an explicitly feminist perspective.
Imperialism in North Africa: Interview, Djamila Bouhired
By the eve of the revolution, Algerian demands for even limited political and civil rights had been repeatedly rebuffed by the French colonial regime and the nearly one million European settlers in the country.
Dona Marina, Cortes’ Translator: Nonfiction, Octavio Paz
This essay, which seeks to explain modern Mexican sensibilities by examining the phrases “hijos de la chingada” and “malinchista,” presents La Malinche as violated woman—part victim, part traitor to her nation.