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A French Gentleman of The Court of Louis XVI

A sarcastic treatment from England of French manners that contrasts the weakness of the old regime with revolutionary arrogance. The engraver also seems to be pointing toward two entirely different views of masculinity.

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A Foreign Tree

These painted engravings ridicule the unrest wrought by French revolutionaries by contrasting French subversion with British stability.

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A Democrat, or Reason and Philosophy

This cartoon by the popular British caricaturist James Gillray depicts the British politician Charles James Fox as a sans–culotte. Wearing a cockade in his wig and a bandage on his forehead, the unshaven Fox raises his bloody left hand as he lifts his left leg to break wind.

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20 June 1791, Anonymous Drawing

In this depiction of the King’s arrest, the Queen risks her body to save her son, the crown prince.

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Day of 10 August 1792

This engraving gives a ground–eye view of the action; far from an orderly operation, the "day" appears chaotic and menacing, as the inspired people face what appear to be cannons being fired by royal soldiers. This romantic image would become the predominant view of this event.

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"This is My Dear Son": Napoleon as Child of the Devil

Linking Napoleon with Hell represents a far cry from his own propaganda. German propaganda piece depicting Napoleon as the child of the Devil.

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"The Song of the End": The Whole World Now Chases Him

Where Napoleon was once the conqueror, the world now avenges itself. This sense of reversal, felt widely outside of France, characterized a number of the caricatures of Napoleon, and indeed of the entire Revolution.

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The Little Cartesian Devil

The reversal of circumstances that German cartoonists emphasized seemed generally to exercise considerable sway over this use of symbols. Here, Napoleon, who strode so large over Europe, is bottled and examined.

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The Great Man

German cartoonists tried to reduce Napoleon down to size, in this case, the size of mice! Here the mice serve as courtiers.

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The Great Heroism of the Nineteenth Century

As in other caricatures, foreigners tried to humiliate Napoleon, once again using mice to represent those who would now attend him.