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Early Modern (1450 CE - 1800 CE)

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Image of the Attack of 20 June 1792

By the spring of 1792, the Revolution was in crisis on several fronts—in April, war had been declared on the Habsburg Empire, uprisings were taking place in provincial cities, and the Legislative Assembly was increasingly divided over whether to consolidate gains already made or press forward wit

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The King Accepting the Constitution amid the National Assembly, 14 September 1791

The Estates–General, reborn as the National Assembly, finished its work by completing a new constitution. This document provided for an executive—the King—as well as a legislative body. Suffrage was male and restricted to certain economic levels.

Engraving of View of the Mound of Champ de la Reunion
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View of the Mound of Champ de la Reunion

In this watercolor of the Festival of the Supreme Being, we see a procession that includes a woman wearing a Phrygian cap paraded past a statue of Hercules holding two smaller statues of Liberty and Equality, towards a Liberty tree, atop the hill.

Costumes of the Council of Five Hundred
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Costumes of the Council of Five Hundred

In this bicameral legislature, the smaller of the two councils (the Elders with 250 members) had to pass all the legislation, while the Five Hundred could initiate legislation. The revolutionaries decided on the division of authority.

Day of 13 Vendemaire of the Year 4
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Day of 13 Vendemaire of the Year 4

In the waning days of the Convention in the fall of 1795, royalist–influenced sections of Paris revolted to prevent the adoption of a new constitution that protected the position of the radicals. Bonaparte was delegated to put down the uprising of 5 October 1795 (13 Vendémiaire Year IV).

Destruction of the French Colossus
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Destruction of the French Colossus

This hand–colored engraving, published in late 1798, depicts a Hercules representing France being decapitated by a lighting bolt in divine retribution for the executions by guillotine and for the attempt to create "Fraternity" and a "Religion of Nature" to replace the Christian love of God.

The Contrast, 1793 British Liberty/French Liberty
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The Contrast, 1793 British Liberty/French Liberty

In this color print from 1793, the height of the Terror, two circular drawings appear next to each other, contrasting two types of liberty. English liberty exists, as the figure suggests, but based on the Magna Carta, calm prevails.

Promised Horrors of the French Invasion
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Promised Horrors of the French Invasion

This highly sophisticated political cartoon by the noted engraver James Gillray from October 1796 responds to Edmund Burke’s pamphlet, "Reflections on a Regicide Peace." This image argues against further war with France to avoid bankrupting the British treasury and exposing England itself to inva

Britannia Rules the Waves!!
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Britannia Rules the Waves!!

This color drawing from 1798 mocks both the French navy’s abysmal performance against Nelson’s fleet and the French hope to invade England; in the style of Gillray, it depicts a grotesque, gargantuan woman, straddling the English Channel and urinating into French ships while her trident pierces F

Day of Saint-Cloud
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Day of Saint-Cloud

The problems of the revolutionary government had so intensified that the two leaders, Abbé Sieyès and Roger Ducos, plotted to overthrow it with the help of the most famous military man of the day. But the legislative body, particularly the lower house, proved resistant.