Browse Primary Sources

Locate primary sources, including images, objects, media, and texts. Annotations by scholars contextualize sources.

The Prophet Muhammad and A’isha

The Prophet Muhammad and A’isha

This is a depiction of A’isha, one of Muhammad’s wives. She was close to the Prophet and is the author of roughly 1,200 Hadith. Her involvement tells us something about the public role that some women played in the early Muslim community and the respect she was given.

Excerpts from the Hadith by A’isha

Excerpts from the Hadith by A’isha

Hadith are reports about what the Prophet Muhammad said or thought. They provide Muslims with a sense of how Muhammad applied the guidelines of the Koran to daily life. They are based on the memories and stories of those who knew the Prophet and were recorded a few generations after his death.

A Journal of Captain Cook's Last Voyage to the Pacific Ocean thumbnail image

Excerpt from Ledyard's Journal

This is an excerpt from John Ledyard’s journal of his travels along the North American coast in the late 18th century. Ledyard, born a British subject, became an American citizen after Independence. He traveled with the British explorer Captain Cook to Alaska, Siberia, and the Pacific Islands.

Catharina Schrader thumbnail image

Excerpt from Memoirs by Catharina Schrader

This is a memoir written by a Protestant midwife, Catharina Schrader, who lived in Germany during the 1600s. It offers an important window into the daily lives and life cycles of non-elite women living in early modern Europe.

This source is a part of the Analyzing Personal Accounts methods module.

Thumbnail image of Glikl

Excerpt from Memoirs by Glikl

The is a diary written by a Jewish merchant, Glikl of Hameln, a woman living in northern Germany in the 17th century.

Ottoman "Bill of Rights" thumbnail image

An Ottoman “Bill of Rights”

This is an excerpt from an official proclamations by the government of the Ottoman Empire. It reflects an understanding by the ruling elites that some administrative reform was absolutely necessary to protect the state from further decay.

Gulhane Proclamation thumbnail image

Gulhane Proclamation

This is an excerpt from an official proclamation by the government of the Ottoman Empire. The text is part of the Ottoman government’s response to internal and external demands for reform stemming from the growing weakness of the state.

People Reading the Gazette thumbnail image

People Reading the Gazette

This is an image of the reading public in 18th century France. This image can tell us about who read newspapers, how they read them, and how easy or difficult it was to access newspapers.

This source is a part of the Analyzing Newspapers methods module.

Written representation of the music from the dance mabo thumbnail

Mabo Song

This is a written representation of the music from the dance mabo, BaAka music is complex. It is polyphonic (many voices) and polyrhythmic (many rhythms). During a dance, participants engage in structured improvisation, knowing when and how to add or change a phrase or a beat and doing so in relation to others. The social and the aesthetic work together.

BaAka Women Dancing the Hunting Dance thumbnail image

BaAka Women Dancing the Hunting Dance, Ndambo

This is an image of female BaAka dancers from the southwestern Central African Republic in the rainforest region dancing a hunting dance called Ndambo. Music and dance are important in BaAka culture. They can be performed for many reasons—sometimes in preparation for a hunt, other times to display skill.

Taking of the Bastille thumbnail image

Taking of the Bastille

This color print emphasizes the populace’s participation in the storming of the Bastille, showing the urban population fighting under a red banner with muskets, swords, and pikes against the royal soldiers.

Engraving of crowd gathered to sack royal hospital thumbnail image

Taking of Weapons at the Invalides

From the City Hall, the crowd that had gathered on the morning of 14 July crossed the Seine River and sacked the royal veterans’ hospital known as the Invalides, where it hoped to capture arms. In Berthault’s engraving, the scene appears chaotic. The guards seem unsure how to react to the surging, leaderless, yet determined crowd.

Thumbnail of drawing of man giving a speech for a crowd

Speech in the Garden of the Palais-Royal

In this artistic rendition, on 12 July 1789 Camille Desmoulins stands on a table and encourages his listeners to rise against the threat to the Estates–General. He, and others of his ilk, would be successful in bringing about the fall of the Bastille on 14 July.

Fusillade in the Faubourg St. Antoine, 28 April 1789

This image chronicles a riot. Many believe it was caused by artisans who attacked the Reveillon wallpaper shop and factory because they believed that the owner was about to lower wages. Over two days, more than 6,000 attacked the place. On 28 April troops were called and fired on the crowd. The official report noted 71 killed, wounded, or detained.

Fraternity

Using a woman to represent "Fraternity" seems ironic at best, although theoretically the term might mean the community of humanity. In actuality, when the revolutionaries considered "community," they certainly thought of men far more than women. The period saw women take advantage of opportunities presented to them, but outright champions of this kind of inclusive community were few.

National Assembly Relinquishes All Privileges

This image, part of a series produced to show the most important events of the Revolution, focuses on 4 and 5 August 1789, when the system of privileges came to an end. This legal structure, characteristic of the old regime, guaranteed different rights for different people.

Transportation of Voltaire to the French Panthéon, 8 July 1792

Although Voltaire’s contribution to the Revolution has been much debated, the revolutionaries themselves had absolutely no doubt of his significance. After 1789 he was much in vogue, in that his plays were often performed and other artists lionized him in various ways.

Arrest of Louis Capet at Varennes, June 22, 1791

This print shows an angry crowd of fervent revolutionaries breaking down doors to arrest the King.

Army of Jugs thumbnail image

Army of Jugs

This color drawing, produced in 1793 at the request of the Committee of Public Safety and then published as an engraving, caricatures the British army and its king, George III, as incompetent, who, despite fine uniforms, cannot defeat shoddily clad, yet energetic sans–culottes (on the left), who humiliate the British by defecating on the advancing troops.

Aristocratic Occupations...

Aristocratic Occupations

The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement.