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Modern (1800 CE - 1950 CE)

Vulgarly Called the Wanton thumbnail image
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Vulgarly Called the Wanton

This print is called Vulgarly called the Wanton and was created by the artist Utamaro in 1802. It portrays a woman engaged in frivolous or indulgent behavior, providing a sense of how people understood urban Japan during the Tokugawa period.

The Drunkard thumbnail
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The Drunkard

This print, titled, The Drunkard, portrays a woman engaged in frivolous or indulgent behavior. It is a ukiyo-e woodblock prints from the Tokugawa or Edo period in Japan (1600 to 1867) created by the artist Utamaro in 1802.

Gulhane Proclamation thumbnail image
Methods

Analyzing Official Documents

The modules in Methods present case studies that demonstrate how scholars interpret different kinds of historical evidence in world history. In the video below, historian Dina Khoury analyzes two official proclamations by the government of the Ottoman Empire.

Ottoman "Bill of Rights" thumbnail image
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An Ottoman “Bill of Rights”

This is an excerpt from an official proclamations by the government of the Ottoman Empire. It reflects an understanding by the ruling elites that some administrative reform was absolutely necessary to protect the state from further decay.

Gulhane Proclamation thumbnail image
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Gulhane Proclamation

This is an excerpt from an official proclamation by the government of the Ottoman Empire. The text is part of the Ottoman government’s response to internal and external demands for reform stemming from the growing weakness of the state.

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Fusillade in the Faubourg St. Antoine, 28 April 1789

This image chronicles a riot. Many believe it was caused by artisans who attacked the Reveillon wallpaper shop and factory because they believed that the owner was about to lower wages. Over two days, more than 6,000 attacked the place. On 28 April troops were called and fired on the crowd.

Izvestiia, “Old Way of Life,” March 8, 1930 thumbnail image
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Women and Stalinism: Drawing, Old Way of Life

Articles and images published in Soviet newspapers on March 8, International Communist Woman’s Day, provide the most obvious examples of how women were used as symbols in a propaganda campaign.

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"This is My Dear Son": Napoleon as Child of the Devil

Linking Napoleon with Hell represents a far cry from his own propaganda. German propaganda piece depicting Napoleon as the child of the Devil.

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Cremation Rites with the Youngest Son, Calcutta 1944

The photographs depict a Hindu cremation site, or burning ghat, in the city of Calcutta in 1944. The first photo shows the men of the family, including the deceased's sons, seated in front of the corpse, which lies shrouded and bedecked with flowers on a bier.

Thumbnail of soldier with child
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World War II American Soldiers and a Bengali Child

These photographs are among a series of fifteen taken in 1945 by U.S. soldier Glenn S. Hensley. Hensley was a professional photographer participating in aerial surveillance of Burma for the U.S. Army. The images illustrate an encounter between Hensley and four fellow U.S.