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Revolutions

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The Republic

Under the monarchy, the king was the country’s symbolic center. Removing him and establishing a republic made necessary not only a new constitution but also a new set of symbols.

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Liberty

In this spectacularly vivid rendition of Liberty, she holds the Phrygian cap of freed slaves on a pike. That, combined with her colorful pants, suggests aggressive liberty. Yet the scrolls in her right hand also underscore the role of legislation in defining her purview.

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The Triumph of Liberty

In this extraordinary painting stands a formidable and powerful figure of liberty with her pike and cap. As the title of this work suggests, Liberty appears here as a warrior surveying the field of battle from a commanding height.

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Woman with a Basket in Front of a Door to the Prison

Despite the demure expression created by her huge eyes, this woman also shows adherence to the Revolution through her scarf, similar in shape and color to the Phrygian cap.

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Day 1 of Prairial of the Year III

Men and women threaten the deputies on 20 May 1795. They demand "Bread and the Constitution of 1793." This day marked one of the last interventions of ordinary women into national politics.

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To Versailles, To Versailles!

The women who arrived, though lightly armed, were no shrinking violets. They insisted that the royal family return to Paris where, in fact, they would find themselves under virtual house arrest.

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Mea Culpa of the Pope

Although the revolutionaries long regarded the Pope as an enemy, their anger was stoked significantly by the papal decision to decree as unacceptable the Civil Constitution of the Clergy.

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The Great Nausea of Monsignor

This engraving focuses on expurgating the clergy, this time with vomiting as the intended method. Here, the cleric spits up the unfair advantages enjoyed in the old regime.

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Patience Monsignor Your Turn Will Come

Cartoons attacked the refractory clergy. Here, fat, overfed, and underworked clergy are squeezed down to an appropriate size. As elsewhere, visual images mocked the clergy by depicting them as subject to the threats and physical attacks of others.

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Refractory (Clergy) Going to the Promised Land

Many refractory clergy left France to join other detractors, as this print shows, or wishfully encourages. However, this is an ambiguous image, which leaves open the possibility that rather than joining foreign monarchies, the clergy are crossing the river leading to Hell.