Nationalism
A Second Jean d'Arc
To those who considered Marat insincere and dangerous in his unrelenting populism, the true martyr was Charlotte Corday, who had come to Paris from Caen—a city then serving as a base for the federalist insurgency—apparently with the express intent of killing Marat.
In Memory of Marat, Friend of the People, Assassinated 13 July, 1793
A leading voice on behalf of greater popular participation and social policies that would benefit the poor, the journalist Jean–Paul Marat used his radical newspaper the Friend of the People to criticize moderation.
Bust of Marat
After Marat’s death, his defenders glamorized him, forgetting both his physical deformities and his vitriolic calls for more and more heads. One common approach was to give him secular sainthood (a halo in this image) incongruous for someone with so little patience with the church.
Robespierre 10 Thermidor—Exposition of 1877
This painting from 1877 shows in romantic style Robespierre dying in a large room, surrounded by soldiers and others.
The Days of 31 May and 1-2 June 1793
Even though popular action had unseated the Legislative Assembly and replaced it with the Convention, the elections that followed had not satisfied the radicals of Paris and their artisanal followers.
Massacre of the Prisoners
Yet another image from the newspaper R*volutions de Paris shows crowds massacring refractory clergy and prisoners.
Massacre of the Priests
This image, also reproduced from the newspaper R*volutions de Paris, shows crowds massacring refractory clergy and prisoners.
Massacre of the Prisoners of St. Germain Abbey
In one of the most widely reported incidents of the September massacres, a "jury" of twelve "commissioners" was formed spontaneously in the Saint–Germain Abbey to judge the refractory clergy held there as prisoners.
Foundation of the Republic, August 10, 1792
One of the sharper engagements of 10 August between the revolutionaries and the royal defenders occurred on the palace’s steps. The caption emphasizes the revolutionaries’ point of view.
Siege of the Tuileries
This hand–tinted engraving depicts the storming of the Tuileries Palace by what appear to be small groups of well–organized soldiers of the Marseilles National Guard.