Starting at the turn of the twentieth century, U.S. and insular government offices and textile and garment businesses incorporated women of the New South and Puerto Rico into manufacturing in distinct yet interrelated ways.
In this still shot from the movie Norma Rae, two pretty and petite white actors represent southern mill hands. Norma, portrayed by the famous actress Sally Field, stands with her mother (Barbara Baxley).
This government photograph provides an important contrast to the popular culture images of poor southern whites. During the 1940s and 1950s, U.S. government agencies hired photographers to travel the main island of Puerto Rico to capture the conditions of working people.
Painted in the last phase of his career, Dutch artist Jan Vermeer’s The Love Letter is a work of oil on canvas that depict
Largely considered the first novel, The Tale of Genji was written by Murasaki Shikibu, a noblewoman and lady-in-waiting du
The Manu-smriti, or Laws of Manu, are of the most authoritative codes of Hinduism in India, dating back to approximately 1
The “flapper” craze overtook the western world in the early 1920s and was spearheaded by young women intent on bucking cultural n
Despite its name, Kasai velvet, or velours du kasai, is not actually a velvet.
Tomoe Gozen was a Japanese female samurai that lived during the late twelfth century, or late Heian period, in Japan.
One of the realizations of the 1983 March for Equality and Against Racism was the election to the new European Parliament the Lyon-based civil rights activist, Djida Tazdaït (1957- ). In 1989, she was elected as the first woman of North African descent to serve in that capacity until 1994.