France, The Gods Are Athirst
Annotation
One of the most widely–read authors of the late nineteenth century, Anatole France (1844–1924) saw the humanity of even the most notorious revolutionary figures such as Jean–Paul Marat. Yet, dedicated to the principles of 1789, France preferred the earlier period of the Revolution. Consequently, his treatment of the National Convention is somewhat ironic despite his general support for the Republic.
This source is a part of the Legacies of the Revolution source collection.
Text
But Jean Blaise resumed in a tone of superiority: "You walk in a dream; I see life as it is. Believe me, friend Revolution is a bore; it lasts over long. Five years of enthusiasm, five years of fraternal embraces, of massacres, of fine speeches, Marseillaises, of tocsins, of 'hang up the aristocrats,' of heads promenaded on pikes, of women mounted astride of cannon, of trees of Liberty crowned with the red cap, of white-robed maidens and old men drawn about the streets in flower-wreathed cars; of imprisonments and guillotinings, of proclamations, and short commons, of cockades and plumes, swords and carmagnoles—it grows tedious! And then folk are beginning to lose the hang of it all. We have gone through too much, we have seen too many of the great men and noble patriots whom you have led in triumph to the Capitol only to hurl them afterwards from the Tarpeian rock,—Necker, Mirabeau, La Fayette, Bailly, Pétion, Manuel, and how many others! How can we be sure you are not preparing the same fate for your new heroes? . . . Men have lost all count."
"Their names, citoyen Blaise; name them, these heroes we are making ready to sacrifice!" cried Gamelin in a tone that recalled the print-dealer to a sense of prudence.
"I am a Republican and a patriot," he replied, clapping his hand on his heart. "I am as good a Republican as you, as ardent a patriot as you, citoyen Gamelin. I do not suspect your zeal nor accuse you of any backsliding. But remember that my zeal and my devotion to the State are attested by numerous acts. Here you have my principles. I give my confidence to every individual competent to serve the Nation. Before the men whom the general voice elects to the perilous honor of the Legislative office, such as Marat, such as Robespierre, I bow my head; I am ready to support them to the measure of my poor ability and offer them the humble cooperation of a good citizen. The Committees can bear witness to my ardor and self-sacrifice. In conjunction with true patriots, I have furnished oats and fodder to our gallant cavalry, boots for our soldiers. This very day I am dispatching from Vernon a convoy of sixty oxen to the Army of the South through a country infested with brigands and patrolled by the emissaries of Pitt and Conde. I do not talk; I act."
Gamelin calmly put back his sketches in his portfolio, the strings of which he tied and then slipped it under his arm.
"It is a strange contradiction," he said through his clenched teeth, "to see men help our soldiers to carry through the world the liberty they betray in their own homes by sowing discontent and alarm in the soul of its defenders. . . . Greeting and farewell, citoyen Blaise." . . .
In the Tuileries gardens he caught the distant roar of a host of men, a sound of many voices shouting in accord, so familiar in those great days of popular enthusiasm which the enemies of the Revolution declared would never dawn again. He quickened his pace as the noise grew louder and louder and reached the Rue Honoré and found it thronged with a crowd of men and women yelling: "Vive la Republique! Vive la Liberté!" The walls of the gardens, the windows, the balconies, the very roofs were black with lookers-on waving hats and handkerchiefs. Preceded by a sapper, who cleared a way for the procession, surrounded by Municipal Officers, National Guards, gunners, gendarmes, hussars, advanced slowly, high above the backs of the citizens, a man of a bilious complexion, a wreath of oak-leaves about his brow, his body wrapped in an old green surtout with an ermine collar. The women threw him flowers, while he cast about him the piercing glance of his jaundiced eyes, as though, in this enthusiastic multitude he was still searching out enemies of the people to denounce, traitors to punish. As he went by, Gamelin bent his head and joining his voice to a hundred thousand others, shouted his: "Vive Marat!"
The triumphant hero entered the Hall of the Convention like Fate personified. While the crowd slowly dispersed Gamelin sat on a post in the Rue Honoré and pressed his hand over his heart to check its wild beating. What he had seen filled him with emotion and burning enthusiasm.
He loved and worshiped Marat, who, sick and fevered, his veins on fire, eaten up by ulcers, was wearing out the last remnants of his strength in the service of the Republic, and in his own poor house, closed to no man, welcomed him with open arms, conversed eagerly with him of public affairs, questioned him sometimes on machinations of evil-doers. He rejoiced that the enemies of the Just, conspiring for his ruin, had prepared his triumph; he blessed the Revolutionary Tribunal, which, acquitting the Friend of the People, had given back to the Convention the most zealous and most immaculate of its legislators. Again his eyes could see the head racked with fever, garlanded with the civic crown, the features distinct, with virtuous pride and pitiless love, the worn, ravaged, powerful face, the close-pressed lips, the broad chest, the strong man dying by inches who, raised aloft in the living chariot of his triumph, seemed to exhort his fellow-citizens: "Be ye like me,—patriots to the death!"
The street was empty, darkening with the shadows of approaching night; the lamplighter went by with his cresset, and Gamelin muttered to himself: "Yes, to the death!"
Credits
Anatole France, The Gods Are Athirst, in The Six Greatest Novels of Anatole France, trans. Wilfrid Jackson (Garden City, N.Y.: Doubleday, Doran & Company, 1918 [1890]), 528–29, 537.