When the revolutionaries, led by thousands of women, marched to Versailles, they triumphantly seized and then brought the king to Paris, where he would live in the midst of his people. Here this image attempts to maintain a perception of royal pomp and grandeur, ignoring the reality that the king was forced against his will. Still few could fully foresee the ultimate changes underway –– that... Read More »
An arrested Corday is hustled out of the door, while the inquest begins. The expired Marat, ghastly pale, looks much more realistic than in the David rendition of his death. Also, the bath in the shape of a boot, which differs from most images, is apparently accurate.
This engraving of the attack highlights the heroism of the people charging determinedly into the billowing clouds and firing relentlessly in the face of strong resistance emanating from the fortress.
With the Bastille being destroyed in the background, a member of the Third Estate breaks his shackles. Here, the clergy and nobility recoil in fear, thereby emphasizing the conflict between the estates during the French Revolution.
Napoleon’s eventual acquisition of political power may be attributed partly to his success in publicizing his Egyptian campaign as a great victory for France that spread the values of the Revolution. These engravings by the writer and artist Vivant Denon were published in 1802, four years after the campaign when Napoleon was already in power. This first image depicts The Battle of the Pyramids... Read More »
This undated post-French Revolutionary print shows Bonaparte visiting a hospital in Jaffa. Of classical proportions, this image is centered on Bonaparte, who appears to be bringing order to an otherwise disorderly and chaotic scene. However, Napoleon’s actual interest was limited, far less than this print would suggest. In fact, he ordered that poison be given to men too ill with plague to be... Read More »