In 1789, with the collapse of old regime censorship as well as a sense of liberation from traditional moral constraints, printed libels against the Queen became both more common and more intense. An example of this greater intensity is this light opera, with raunchy lyrics set to popular tunes. Not intended to be performed, the pamphlet spoofs the Queen’s great interest in opera and her... Read More »
This cartoon by the popular British caricaturist James Gillray depicts the British politician Charles James Fox as a sans–culotte. Wearing a cockade in his wig and a bandage on his forehead, the unshaven Fox raises his bloody left hand as he lifts his left leg to break wind. Notice his torn shirt, the bloody dagger in his belt, and the fact that he wears no pants. He sings the popular... Read More »
In this excerpt, Rainsford describes the divisive effects of the Declaration of Rights of the Blacks among the various racial/social groupings.
Better known for her defense of the rights of women, Olympe de Gouges defended the rights of the downtrodden in general. Here she points out the cruelty of slavery and expresses the hope that the slave trade will be abandoned.
A sarcastic treatment from England of French manners that contrasts the weakness of the old regime with revolutionary arrogance. The engraver also seems to be pointing toward two entirely different views of masculinity.
In this article, the influential newspaper The Revolutions of Paris asks if Africans and their descendants are "Born to Slavery?" as part of a general consideration of the situation in the French colonies.
During the explosion of newspaper publishing after 1789, the Revolutions of Paris consistently supported radical positions, including the abolition of slavery in articles like this one entitled "No Color Bar."